19,220 로열티 프리 오디오 트랙들 "Midi Music"에 대한

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Jetzt fangen wir zum Singen an
著者: Melodie: Salzburg (trad.); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.
著者: Hyacinth at English Wikipedia
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Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.
著者: Hyacinth at English Wikipedia
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.
著者: Hyacinth
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C triad open position.
著者: Hyacinth (talk)
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Andachtsjodler
著者: Musik: Südtirol, trad.; Tondatei: Rabanus Flavus
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.
著者: Hyacinth
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C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.
著者: Hyacinth at en.wikipedia
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.
著者: Hyacinth
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Richard Wagner, Kaisermarsch, Schlussgesang
著者: Musik: Richard Wagner; Tondatei: Rabanus Flavus
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Hippopotamus rhythm
著者: Created by Hyacinth (talk) using Sibelius 5.
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7-36ZB heptachord on C
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.
著者: Hyacinth
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20 steps in 72-et on C: 333.33.
著者: Hyacinth
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*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71
著者: Hyacinth
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*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65
著者: Hyacinth
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*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66
著者: Hyacinth
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*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents
著者: Hyacinth at en.wikipedia
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*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59
著者: Hyacinth
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*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.
著者: Hyacinth at en.wikipedia
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*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61
著者: Hyacinth
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*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69
著者: Hyacinth
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Diminished seventh chord as incomplete ninth in C.
著者: Created by Hyacinth (talk) using Sibelius 5.
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The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.
著者: Hyacinth
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Ninth vs added-ninth chord.
著者: Created by Hyacinth (talk) 12:46, 2 July 2011 (UTC) using Sibelius 5.
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*Silver ratio (δS) on C. Just: 1+√2:1 = 1525.86 cents. MIDI pitch bend: 35,72
著者: Hyacinth
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Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.
著者: Hyacinth
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Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach
著者: J.S. Bach
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Singt dem König Freudenpsalmen, Eichsfelder Melodie, Gotteslob (1975) Hildesheim 825
著者: Melodie: Eichsfeld traditionell; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)
著者: Melody: Johann Crüger; basso & harmonization: Johann Sebastian Bach (BWV 441); replenishment of basso, adaptation to Crüger's original melody & sound file: Rabanus Flavus (Peter Gerloff)
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Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.
著者: Hyacinth
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*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73
著者: Hyacinth
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Minor eleventh chord in Herbie Hancock's "Maiden Voyage".
著者: Created by Hyacinth (talk) 15:41, 1 July 2011 (UTC) using Sibelius 5.
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Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.
著者: Hyacinth at English Wikipedia
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Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.
著者: Hyacinth at en.wikipedia
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CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
著者: Hyacinth at English Wikipedia
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*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73
著者: Hyacinth
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*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.
著者: Created by Hyacinth (talk) in Sibelius 5. Midi pitch bend on 38,67 for about 310.3 cents rather than 310.
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Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.
著者: Hyacinth at en.wikipedia
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Ninth augmented fifth chord on C.
著者: Created by Hyacinth (talk) using Sibelius 5.
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Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!
著者: Melodie: Leopold Hörlezeder (1824-1894); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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